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#LIVE11 HOW TO#
#LIVE11 BLUETOOTH#

The hands-on functionality allows you the choice between what sounds you want to create, map separate keys to individual notes or instruments for a completely different experience. DJ Starter Kits and Beginner DJ Equipment DealsĪbleton’s Push 2 puts the power and control of music in your hands this dedicated controller is the ideal instrument for production when using Ableton Live 11.LED Scanners and Barrels Lighting Effects.LED Moonflower and Twister Lighting Effects.

#LIVE11 BLUETOOTH#

Wireless Bluetooth Listening Headphones.

#LIVE11 HOW TO#

Want to learn more about how to use amazing creative effects in Ableton to add an extra dimension to your tracks? Check out our class with Ableton Certified Trainer Poppy Roberts where you’ll learn even more about Echo and many more of the best effects in Ableton. You can control how much of this you want and use the morph control to change the type of modulation this is emulating. Wobble will add in some of that jittery modulation to the delay time that the old echo machines would have. By adjusting the morph control, you can change the sound of this noise. Noise will, as you might expect, add extra noise to your sound like you would get with the old analogue gear. The gate allows you to control the threshold at which echo activates so that only signals above a certain level will trigger the delays.ĭucking essentially does the opposite of this and will lower the level of the delays when the input exceeds a certain threshold. This third tab is where you can start to add some of that vintage charm into your sounds There are options for the delay time, the filter and the wet/dry mix. Once you’ve got that sorted, you can choose what you’re modulating and how much modulation you want to use. You can also change the rate of the modulation and whether or not it's synced to the project’s tempo. You can choose from a number of different waveforms, including random noise, and see a visual representation of each. The second tab is where you’ll find all the controls that you can use to modulate and warp your echo sounds. This is especially useful if you’re using echo on things like basses where you might want repeats of the notes but none of the low-end in the echoes that will muddy the mix. Underneath this is an EQ that allows you to shape the tone of the repeats and echoes. Think of it a bit like a tunnel that you’re shouting down and hearing the sound echoing back. This is the default view for the plugin and the first thing you’ll notice is an interesting visual representation of the echoes. There are three sections to switch between where you can find more options to shape your sound. In the middle is where things get more interesting. Pretty standard stuff for a delay plugin.

The dry/wet allows you to change the mix between the echos and the dry unaffected signal.

Output will allow you to adjust the gain of the output signal.

At 0%, the signal is mono and if you push it above 100%, you’ll get an exaggerated stereo effect. Stereo will control how wide the output signal is.

You can change how much reverb you want with the reverb control, how long it lasts with the decay and whether it goes before or after the echos.

On the right, there's a separate control for echo’s best friend – reverb.

This can be pushed past 100% to create some really weird sounds.

Feedback controls how much of the output is being fed back into the input of the echo and this changes how long the echo effect will last.

By pressing the D button next to it, you’ll get extra drive out of it. If you start to push this beyond zero, you’ll notice that it will overdrive, like those old units.

The input control changes the gain of the input signal going into the echo effect.

You can also set whether these are synced to the tempo of the track or not with the sync button. You can the left and right sides individually or they can be set together with the little chain button in the middle.

On the left, you’ll find the controls for the lengths of the repeats.

So how do we get some of this old-school cool in our tracks just using Ableton’s Echo? Echo controls Once you started really messing and modulating with these machines, you’d unlock a whole galaxy of weird, spaced-out effects. Due to the way they were built from magnetic tape heads and had built-in preamps, they would add a bit of grit and warmth to the sound – even if you just want a clean tone. Overall, they have a more characterful sound and a big part of the enduring appeal of these old units is the way that the repeats of the note are each altered and warped.